Early Christian Art Was Created in Private Homes and Underground Burial Chambers Called
Another couple might take given up, only not Craig and Linda Fiebig. Later on a botched remodel left their Seattle home nigh uninhabitable, the intrepid duo decided to build a new house on the same property.
"If I hadn't had 3 kids at the time, I would have called a loft downtown," says Linda, now a stay-calm female parent of 4. With that urban archetype in heed, the Fiebigs asked the noted firm Vandeventer + Carlander Architects to blueprint a colorful contemporary house that could accommodate the couple'due south burgeoning fine art collection and the demands of a growing family unit.
Perched on a rambling corner lot simply minutes from downtown, the new home consists of ii parallel boxes linked past a narrow atrium. Support functions such as the kitchen, laundry, stairs and bathrooms are wrapped in ruddy Cor-Ten steel, while living spaces reside within a cedar block ready atop a drinking glass plinth. "We used different materials to code the public and private spaces and to run into Linda'due south desire for colour and diversity," says design principal Tim Carlander, who collaborated on the project with his firm's managing partner, Bill Vandeventer, and SBI Structure.
The dwelling's artistic aspirations are evident from the entry, where storefront windows frame a compelling sail by Chinese American artist Hung Liu. To the left sits Linda's function, an ocher command eye with expansive glass doors. Steel stairs on the opposite side of the entry lead to the atrium, which divides the business firm into public and private realms. "This business firm is laid out very functionally," Linda says. "There'due south no wasted space."
Steel armatures frame the living area and support the 2nd flooring, freeing the surrounding curtain wall to comprehend the sylvan setting (the landscape builder was Portland's Samuel Williamson). Glass doors open onto a pair of terraces and the backyard beyond, inviting an easy indoor-outdoor period that'south platonic for parties. Since Linda doesn't similar having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, so there'south nowhere for guests to linger.
Linda kept her color cravings in check when it came fourth dimension to decorate. "I actually had to fight my impulses, because I didn't want to steal the thunder from the architecture or the art," she says. The living room (furnished past Michael J. Skelton of MJS Interiors in Los Angeles) is divided into ii seating areas, each of which is anchored past a red Tai Ping carpet. A blood-red zebra-patterned Chris Lehrecke daybed from Ralph Pucci serves both groupings, its color repeated in the dining chairs. By limiting the accents to a single hue, Skelton was able to satisfy the owner's desire for color without upstaging the surroundings.
Artwork adorns every wall, making the pieces more than approachable only also more than vulnerable to the exploits of the family's youngsters: Alec, 17, Tommy, 13, Ingrid, 11, and Rhys, 5. "In that location'south going to be a certain rate of compunction, and yous just deal with it," shrugs Craig, an It marketing manager. "The 2 of u.s. have damaged more than art than the kids have," Linda confesses.
Click here to see the gallery for "The Artful Home".
Linda, a Midwesterner by birth, asked for plenty of light to combat Seattle's oftentimes gloomy weather. The architects obliged, lining the atrium's walls and ceiling with a nearly unbroken ring of windows. Fifty-fifty the atrium floor is drinking glass, so light tin illuminate the basement during the mean solar day.
Glass bridges span the void to a higher place, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they have to cross a bridge to go to the master bath, Linda and Craig don't seem to listen. "My hubby gets up at v in the morning, so while he's getting gear up, I can even so be over in the bedchamber sleeping," Linda says.
Owing to a variety of unforeseen circumstances, the house took six years from concept to completion. During that fourth dimension, the Fiebigs lived in a succession of rental houses and dispersed their art to friends. (Attention a party one evening, Craig raved virtually one of his host's paintings, only to be reminded that the slice was his.) When they were finally reunited with their art, Linda was overcome. "It was similar a kid coming dwelling from college," she says.
All those years of planning paid off, though. Light and greenery greet the Fiebigs at every turn, enshrining family unit and art in a setting that is worthy of both. "The house suits our lifestyle to a tee," Linda says. "People often ask us what we would modify. Nosotros're still hard-pressed to come upwards with an answer."
What the Pros Know
The living room fireplace and Linda'southward office wait equally though they're covered in Venetian plaster, only the material is really Milestone, a hybridized Portland cement developed in the 1980s by Seattle craftsman Don Miles. Milestone contains an acrylic folder, making information technology water resistant and nearly impervious to not bad and fading. The material adheres to near any surface, and so information technology's ideal for walls, floors, countertops and showers, and it accepts the same universal tints used at paint stores, meaning that color choices are infinite. The cost depends on the projection but is comparable to quality tile or stone. Milestone can be purchased only from Artisan Finishes in Seattle (ArtisanFinishes.com), but company president Don Latimer is happy to help homeowners locate qualified installers in their area or to provide instruction to experienced practice-it-yourselfers. "It'due south a adequately forgiving medium," Latimer says. "If you have a failure, it'll exist creative, non structural."
Click here to see the gallery for "The Artful Habitation".
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